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1 on 1 with J. Moss


 

As one-third of the celebrated writing and production team PAJAM, J Moss has become one of the most powerful forces in Gospel music.  He has worked with a stellar list of artists which include; Karen Clark-Sheard, her daughter Kierra Ki-Ki Sheard, Dorinda Clark-Cole, Trin-i-Tee 5:7, Hezekiah Walker, Kelly Price, Michelle Williams (of Destiny's Child), and has worked with secular artists such as Patti LaBelle, Dru Hill, and Boyz II Men. Born and raised in Detroit as James Moss, the son of the legendary Gospel artists Bill & Essie Moss, much of his childhood was spent on tours with his father's popular group, Bill Moss and the Celestials, and his cousins, the Clark Sisters.  As a teen, he and his brother Bill Jr. released their own project titled, "The Moss Brothers."

Taylor: Growing up in a family of recording artists and experiencing your first release as a youth with your family, how has Gospel music evolved in your opinion since the time you first entered the scene?

J Moss: Being in this music for now than 30 years and coming from a long line of gospel recording artists such as my parents Bill & Essie Moss, and of course my aunt Mattie Moss Clark and my cousins, The Clark Sisters, it’s like being on the "in-side – looking out." Technology is a major factor that has become a big asset because it has evolved so much. Back in the day, if you had a five-piece band, that was all you needed but now with the advent of the systems and programs like Pro-Tools, you can take your music to a higher plane and can move in areas similar to the trends in secular music, almost like closing the gap between the two. Then, when you look at the state of the world and the times we now live, and when we look to the future, we have to embrace our youth by adapting some of the things familiar to them just to get their ear. With the advantages and features of internet and the new opportunities in television, there are just more things and ways to expand the message. The youth are tuned into that type of thing. It’s a perfect means to reach them. "Technology"

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Taylor: You found great success with your last project "The J Moss Project", which still is unquestionably one of my favorite projects, what is your vision for this upcoming project?

J Moss: Well, to do a second project is a real blessing and I thank God daily for allowing me to find my niche. That my music is embraced by "a Verity" and "a Gospo Centric" is just awesome! It’s really more about my whole team. PAJAM is building a brand of "feel good" music that hears the bodacious call of the Lord. We all have to take Gospel "by force." We have to go for what we know! I thank God for using me to make a difference. You must be called and God has given me and my crew (PAJAM) a specific assignment that is specifically for this day & time. He has chosen not just me, but PAJAM to bring a new presence to His music and I just thank Him for blessing me with the talent, knowledge, and favor he bestows daily on each of us to get the job done! It’s all about being in the right place at the right time and being in the will of God at that point and time. I have learned to cling more to God and know this is something that He commissioned us to do.

Taylor: What artists do you think are making a difference in moving Gospel to a higher visibility and why?

J Moss: I think everybody is coming up. The more good music there is, the more radio & TV must embrace it. Everybody dares to be different which is good, Tye is Tye, Kirk is Kirk, Fred is Fred. Everybody makes the machine run. All have stepped up the game and that’s the difference. With the expanded opportunities and the high tech components available, God has equipped us with the tools we need to continue to propel His Word through music. Everybody is just doing what they do and everybody is just really doing their own thing. Collectively, there’s a lot of power there, without question.

Taylor: Do you think the fact that Christian hip hop is growing in popularity is a result of the visibility brought on by mainstream hip-hop artists such as Kanye West, DMX, and Will Smith to name a few?

J Moss: Yes & no. I don’t think the "Jesus Walks" style song was that much of a boost for Christian Hip-Hop. I think it is more directly related to the newer breed of artists such as 21:03, IROC & Cross Movement. I think these guys are standing firmly on their own feet. Bobby Jones & TBN has helped to give them a much larger visibility. God is opening doors and is now allowing the style to flourish and reach places that it had not previously penetrated. The entire movement has gained a great deal of notoriety and success over the past few years and will undoubtedly continue as time goes on because as technology changed in the past, and is still improving today. It will only continue to improve as we move forth into our future. Gospel music is firmly becoming the sound of the times and mainstream audiences are now embracing it in so many ways. The plays, the movies, TV, radio, even in the print media, the genre is one of music’s fastest emerging styles. It’s all about the music. It is a perfect way to promote something positive. So many of these secular and mainstream artists actually have strong connections to their spirituality and are more comfortable in sharing that fact with others. Hip-Hop is Hip-Hop, Gospel Hip-Hop is Gospel Hip-Hop. The two are different because one is the Word of the Lord. That’s the difference.

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Taylor: With the momentum that Gospel now enjoys, in your eyes, what areas still has room for improvement and how can it be improved?

J Moss: I want to see more of a collaboration of ministries, a more unified effort. I thank God for Kirk Franklin who decided to be different by incorporating the use of fellow artists such as Rance Allen and Dorinda on his project. People need to see more of Smokie Norful & J Moss together or Fred Hammond & Tye Tribbett. Not only has Kirk used us (fellow artists) on his recordings, he will call and invite you to come join him if he’s close by. Ministries come together for the cause. The people love it! There is strength in numbers you know. Budgets are the main hold back. It takes a lot to produce a ticket like that but its great when it happens. What PAJAM is trying to do is connect the dots in the complete picture. Not just in our music but through our vision as well. Just to take a look at the state of the world and tailor a plan to give us all a little more hope. Just to be able to inspire others to go on. Collaborations can make a big difference. I’ll say it again, there is strength in numbers!

Taylor: With the renewed climate of the genre today, what do you see for the future of gospel music?

J Moss: At the end of the day, Gospel needs to keep its conviction and passion, but mainly be careful to protect its identity. Many desire to go mainstream with their music, for whatever reasons, and sometimes become so absorbed in making it happen, that they forget about what their primary purpose really is. We must be careful not to lose the true flavor of Gospel or our focus. When people want to hear Usher, they should hear Usher. When they want a "We Must Pray," that’s what they need. It is our responsibility but, we must be careful not to present music that is just a watered-down version of R & B. When people want Gospel, that’s what they want. With the world situations of the day, you don’t know what a person is in need of so it’s our responsibility as Gospel artists to provide something they can hold on to and draw inspiration. It’s called, "Gospel.

Taylor: In closing, give me a bit of that "J. Moss knowledge" to encourage aspiring artists and others in the ministry of Gospel music.

J Moss: We should always be careful to represent who we are and who we represent. With the steady growth in the platform that radio & TV provides, the playing field has widened tremendously. There are so many ways for us ministers to share God’s word. Again, as technology continues to development, so will our opportunities. All of this only allows us to be able to bless the body of Christ in a more perfect way. Still, we must remain diligent. We just need to continue doing what we do and allow God’s hand to guide us through the growth process. It’s very comfortable climate in Gospel music today. We are living in an exciting time and it’s only going to get better! I sincerely believe that! The future looks very promising. "I‘m very excited about all of the things God has in store for us!" It’s all about being in the will of God at that point and time. God has commissioned us all with a job to do. He’s got our backs! In return, we should always strive to have His.

Interview performed and provided by: Path News Flash Editor Kenny Taylor Check out the new project by J Moss when PAJAM/Gospo-Centric/Zomba releases “J. MOSS V2; THE VOICE RETURNS” – In stores January 2007

For more information on J. Moss at www.jmossmusic.com

 

 



Path Way



Path Way – A Monthly Column by Calvin Walker
 
 
Growing up, we are raised with the false hope that we can be whatever we want to be. Though it may seem a bit drastic to call this belief of limitless possibilities false, it is true. In Jeremiah 1:5, it says that before we were even formed in our mother's womb, God had destined us, meaning he already had a specific work for us to do. When you are not working in that specified role, you are filling someone else's role in life. Though you may be competent in that specific role, you will never walk in the spirit of excellence concerning your career, because you are walking in a place you were never intended to be. So many times we plateau or cap off and then wonder why. The simple fact is that we were not equipped to serve in that capacity. When you look at Romans 8:30, you see that the calling came with the equipment. So when you are walking in a calling that is not yours, you are not endowed with the things needed to sustain your work. When you are not fully effective in your work, you are working in vain. I have come to find that the struggles that most mature Christians deal with stems from the focus on hopes and dreams instead of purpose.

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Our ambitions are the best ammunition for the enemy, because unfulfilled dreams can be the best weapon against us. They make you doubt God and his ability to do just what He said, but you have got to understand that everything that you want to do God did not tell you to do. Many times the devil sets us up using scriptures like Galatians 6:7; things that involve gain, because he knows that most of us are only on the path to pick up loose change, but that is another article. Also another scripture that he really harps on is Ecclesiastes 3:1, which states, "There is a time for everything, and a season for every activity under heaven." Though this is very true, you must understand that during every season, every respective species undergoes different things. If you are an apple tree, you cannot sprout strawberries, and some of us are so busy trying to birth what we want, that God cannot birth what He wants. Because we are baring no fruit, we get off the path, because now we are mad at God. We must understand the reason we are here, it is not to pleasure our own ambitions, but it is to give God glory. While it is true that God gave us free will, that free will does not mean that we have free reign to orchestrate our life. As I said earlier, we already are a finished product.

We are destined, so the full score of our life has been written; the choice that we have is who directs (Proverbs 3:6). The most harmful thing you can do to yourself in this walk is forget your purpose. Sometimes because we don't know our purpose, we don't follow the path that God has created for us. Simply meaning, we are not really getting blessed, we are walking in sustenance, and we are provided for, but not prospering. The whole reason God came is so that you may have life in abundance and not just live; so in order to live in the abundance of Christ you must know who and whose you are. There has got to be an uncompromising attitude of excellence and an heir of confidence and an unshaken faith. You must learn that as the old song says, "after you have had a little talk with Jesus, He will answer in the by and by;" that may mean now or later, but in all you do, you must be patient. You must remain steadfast and above all never deviate from the path in which God has placed you on. Stay on the Path!

– Calvin Walker



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Dreamgirls


New singing sensation, ex-Idol Jennifer Hudson steals the show and is a suspected shoo-in for the next Academy Awards along with Eddie Murphy who is also up for the Golden Globe awards.

Generally speaking, this critic has been woefully under-whelmed by latter-day screen adaptations of celebrated Broadway musicals. The primary problem with the genre has been that even as films, they still tend to look like stage productions, thereby failing to take advantage of the array of spatial, temporal, visual, aural and technical enhancements suddenly made available by the shift to the cinematic medium.

Therefore, it’s a very pleasant surprise to discover that Dreamgirls offers an experience which actually feels like you’re watching a movie, not merely a taped version of what you’ve already caught in the theater. Oscar-winner Bill Condon (for the script of Gods and Monsters) earns considerable kudos in this regard, since he not only directs, here, but wrote the screenplay based on the Tony award-winning play which opened to critical acclaim 25 years ago. {pagebreak} 

Condon assembled a most impressive cast for the project from top to bottom, including a number of marquee names capable of carrying a movie on their own, from Academy Award-winner Jamie Foxx to Grammy Award-winners Beyonce’ Knowles and Eddie Murphy to NAACP Image Award-winners Danny Glover and Jaleel “Urkel” White to Tony Award-winners Hinton Battle and Anika Noni Rose to Emmy-winner John Lithgow.

Ironically, praiseworthy performances by all of the above were easily overshadowed by the spellbinding debut of a relative unknown, an American Idol also-ran, in fact. No, not tone-deaf William Hung, but Jennifer Hudson, who came in seventh during the reality-TV series’ third season. You might remember her, because her surprising elimination from the contest had prompted guest judge Sir Elton John to speculate that racism must have played a part in the results of the voting.

That’s all water under the bridge now, because Hudson manages to upstage even Beyonce’ in Dreamgirls, bringing down the house as Effie Melody White, recreating the Tony-winning role originated on Broadway by Jennifer Holliday. The corpulent crowd-pleaser got a standing ovation during the screening I attended, this in response to her spirited rendition of, “And I Am Telling You.” {pagebreak}

Ostensibly inspired by the real-life story of The Supremes, this “Up from Nothing” saga, set in the Sixties, revolves around the trials and tribulations of the members of an all-girl singing group.

Beyonce’ plays Deena Jones (aka Diana Ross), while Ms. Rose plays Lorrell Robinson (aka Mary Wilson), and Sharon Leal plays Effie’s eventual replacement Michelle Morris (aka Cindy Birdsong).
The crib sheet of the storyline reads as follows: The Dreamettes, a promising trio trying to sing their way out of the slums of Detroit, are discovered by Curtis Taylor, Jr. (Foxx), a Cadillac dealer/fledgling manager who signs them as a back-up group for headliner James “Thunder” Early (Murphy). After touring on the Chitlin’ Circuit, the girls eventually hit the road on their own, seeking to generate crossover audience appeal as The Dreams, but not before full-figured Effie is pushed first out of the spotlight, then out of the group entirely, in favor of the slimmer, more appealing Deena.

The Dreams go on to fame and fortune sans Effie, though she ultimately exacts a measure of revenge by launching a successful solo career. What some might not know is that Effie died in the first version of the play, because the character had been carefully patterned after the ill-fated Flo Ballard. That Supreme, fired in 1967, spiraled down into depression and alcoholism before passing away prematurely while on welfare at the tender age of only 32. {pagebreak}

Fortunately, the show’s producers abided by Jennifer Holliday’s request to put a positive spin on Effie’s exit from the mythical Dreams, and the rest is showbiz history. As a consequence, Dreamworks has a surefire hit on its hands, and Jennifer Hudson is the early favorite for an Academy Award. Expect additional Oscar buzz to swirl around others in the cast and crew, especially Eddie Murphy who enjoys his best outing since Shrek as a flamboyant composite James Brown and Marvin Gaye.

“Dreamgirls” also snared a host of nominations for the 64th Golden Globe Awards, to be handed out Jan. 15 at the Beverly Hilton Hotel and broadcast live on NBC. Beyonce Knowles is nominated for best actress in a comedy or musical for her role in the film, while Eddie Murphy nabbed a best supporting actor nod for his.

Excellent (4 stars)
Rated PG-13 for sex, expletives, and drug use.
Running time: 125 minutes
Studio: Dreamworks Pictures



Celebration Of Gospel


  

This year’s activity has taken on the theme "Taking You Higher" and with the confirmed talent, it’s predicted to do just that!

WHAT: The theme "Taking You Higher" is the driving creative force behind BET's production of its uplifting, spirit-filled 7th Annual CELEBRATION OF GOSPEL special, gathering musical artists from both the inspirational and secular worlds for a rousing evening of praise. The two-hour telecast features musical performances, guest appearances and special salutes to some of the greatest names in gospel history.

CONFIRMED TALENT: (*subject to change)
Tyler Perry
Kirk Franklin
Fantasia
Pastor Shirley Caesar
Faith Evans
Fred Hammond
Smokie Norful
Coko (former member of SWV)
Lil Mo {pagebreak}

SHOW HOST: Steve Harvey

WHERE:
The Orpheum Theatre
842 S. Broadway
Los Angeles, CA 90014

WHEN:
Taping – Saturday, January 20, 2007 @ 6 p.m. PT
Premiere Telecast – Sunday, January 28, 2007 @ 8 p.m. ET/PT

ENCORE TELECASTS:
Saturday, February 3 from 8 -11 p.m. ET/PT
Sunday, February 11 from 10 -12 p.m. ET/PT

EVENT INFO: www.bet.com/cog